typette

catrocket:

tycarterart:

Thanks for all the great emails and questions about putting a portfolio together. I’ve been getting a lot of the same questions and decided it would be a better use of my time to write it all out. I’ve derived the content from from my own experience and internships before having a full-time job. As you’ll read, a portfolio is the most important thing you’ll do when applying to a job. I’ve tried to be as detailed as possible.

These are the first five pages in a series of posts about how to layout a portfolio, including content, images, size, material and everything in between. Part I is for the artist still deciding what to do for a discipline. I’ve catered the last three pages to a visual development portfolio for animation but the principles can be applied to any artistic presentation (illustration, design, even interior design).

These are my opinions and I realize there are many ideas out there which are also fantastic. What I have written are simple truths and tips I’ve learned along the way. This doesn’t represent a studio I work or will work for. I hope it is helpful and can provide some perspective into a competitive portfolio and help you land your next job!   

!!!!

typette

typette:

bellecs:

Asked by ANON: Favorite 80s Fantasy Films

The 80s was truly the best decade for cheesy 80s fantasy films. If you haven’t seen all of these, you’re missing out. In order of pictures:

  • Legend (1985) 
  • The Last Unicorn (1982)
  • Ladyhawke (1985)
  • Labyrinth (1986)
  • The Secret of Nimh (1982) 
  • The Neverending Story (1984)
  • Red Sonja (1985)
  • Masters of the Universe (1987)
  • Return to Oz (1985)
  • Highlander (1986)
  • Conan the Barbarian (1982)
  • Krull (1983)
  • Excalibur (1981)
  • Clash of the Titans (1981)
  • Dark Crystal (1982)
  • The Princess Bride (1987)
  • Willow (1988)
  • The Beastmaster (1982)

80S FANTASY

WHERE GORGEOUS SOUNDTRACKS AND AMAZING CONCEPT DESIGN LIVE AND DIE

inbetweenthelineart

what-is-this-thingy-bobby asked:

How does racism against white people not exist?

misandry-mermaid answered:

Personal discrimination against white people exists.  But racism is systemic and white supremacy makes for a skewed power imbalance in which white people do not face institutionalized oppression based on their race.

mellomaia:

Whenever I see a question like this on the Internet, I tend to see the “racism is systemic” explanation go over people’s heads. I would like to offer an extension of this explanation. I, like many people, was taught in school that racism is either believing your own race to be superior or hating individuals of other races. Using these definitions and not considering historical (or present) context, one can certainly argue that racism goes both ways. 

However, context is everything, so let’s consider it. It is true that more and more people have friendships or otherwise positive relationships with people of different races. For this reason, I think that, when many white people hear someone accuse their actions as being racist, they think, “That’s ridiculous, how can I hate my friends?” Further, compared to earlier times, it is becoming rarer for people to publicly announce that they hate someone of a particular race or that they think their own race is superior. If you were to consider this and only this, you might come to the conclusion that there’s no more racism or that it’s on its way out. 

But if there’s no racism, why are people with whose names imply that they are white (e.g. Steve Jones) more likely to be called back for job interviews than people whose names imply that they are POC (e.g. Tahani Tompkins), even when they have similar credentials? x x

Why are white people less likely to see films where the majority of the cast consists of black people or other POC? x

Why are all-white juries more likely to convict black defendants to jail time than to convict white defendants, even when they’ve committed similar crimes? x

Why are black people twice as likely as white people to be born prematurely or with a low birthrate, even when controlling for education and socioeconomic class? x

Why are any of the phenomena described in these charts taking place? x

These are just a few examples of modern-day racism. If racism against white people existed, that would mean that people of color would have sufficient control of institutions like the media, the school and university systems, the medical systems, and the government to oppress white people. We do not have that power. White people do. Even if they truly don’t hate or see themselves as superior to POCs, white people as a group have benefits that POCs as a group do not have. 

typette

typette:

austevennar:

9404yowu:

weloveshortvideos:

I sound like Gru from “Despicable Me” when I have road rage? - Eh Bee

GRU

OMG THIS IS PERFECT

aaaaahahaha it’s so hard to be mad though

jhenne-bean

I was looking for fonts recently and fell in love with many, so I figured I’d compile all my favorites. Some of them require a tweet or Facebook post to download. All credit goes to their respective makers. 
SIMPLIFICA | OTAMA | CORADIUM | BARON NEUE | BROWNIE | LOT | CHOPLIN | SEQUI | KOMODA | CUTEPUNK | FARRAY | HIPSTELVETICA | HIGH TIDE | ANDERS | ORANIENBAUM | LANDSCAPE | ONTWERP | SALOME

I was looking for fonts recently and fell in love with many, so I figured I’d compile all my favorites. Some of them require a tweet or Facebook post to download. All credit goes to their respective makers. 

SIMPLIFICA | OTAMA | CORADIUM | BARON NEUE | BROWNIE | LOT | CHOPLIN | SEQUI | KOMODA | CUTEPUNK | FARRAY | HIPSTELVETICA | HIGH TIDE | ANDERS | ORANIENBAUM | LANDSCAPE | ONTWERP | SALOME

screaming-fan-girl
This dominant narrative surrounding the inevitability of female objectification and victimhood is so powerful that it not only defines our concepts of reality but it even sets the parameters for how we think about entirely fictional worlds, even those taking place in the realms of fantasy and science fiction. It’s so normalized that when these elements are critiqued, the knee-jerk response I hear most often is that if these stories did not include the exploitation of women, then the game worlds would feel too “unrealistic” or “not historically accurate”. What does it say about our culture when games routinely bend or break the laws of physics and no one bats an eye? When dragons, ogres and magic are inserted into historically influenced settings without objection. We are perfectly willing to suspend our disbelief when it comes to multiple lives, superpowers, health regeneration and the ability to carry dozens of weapons and items in a massive invisible backpack. But somehow the idea of a world without sexual violence and exploitation is deemed too strange and too bizarre to be believable.
Tropes vs Women in Video Games, Women as Background Decoration: Part 2 (via femfreq)